Tuesday, January 23, 2018

The Big Ohhhhh





Predicting has never been my strongest forte, but I am stepping out of line to make some fancy guesses on eight of the biggest categories for the Oscars. The full nominees will be announced in two parts tonight via global live stream on Oscar.com.


So far, the guess-work across the board has been a mix-bag of safe choices and bold hunches, where speculations are influenced based on popular votes coupled with the celebrated winners of the past months. But no one can say for sure that certain stars are secured for the win, much less a nomination, and nobody knows how to react to this year's playing field which is crowded with great performances on all fronts. It's unpredictable and exciting in equal measure. Safe for specific categories like Best Actor and Best Actress, which is pretty much a lock for both Gary Oldman and Frances McDormand (two of the dominant forces who control the game plan this season), other nominees are truly up in the air. Sam Rockwell, hard on the heels of his Emmy's, Critics Choice's, and SAG's Supporting Actor victories (for playing an annoying police officer in Three Billboards Outside Ebbing, Missouri) is poised to seize the golden statue. This certainly won't come as a surprise. He is that good.



Despite the accolades surrounding Billboard, the film has been overcast by resentments of late. Opinionated, unhappy voices who have problems with the film, even going so far as to point out similarities with Crash - a movie many considered as the worst Best Picture winner ever. There are complains about the film being unreal, prejudiced towards certain character whose racist slant is just a passing remark without really showing the effects it had on the entire narrative, convenient coincidences that were conceived to tie loose ends, and misguided plot/character development that make little or no sense. These, however, are not going to stop the voters from pushing the film into the front-runner seat, as we see Martin McDonagh's black comedy gaining traction and honours, again and again. People may be unfamiliar or have forgotten the kind of players and outlines McDonagh is famous for. We shall then see if the Academy members thought otherwise, but I'm pretty certain that it will be one of the films to garner the most noms.



What works and what doesn't becomes the agenda for critics who have too much time on their hands, formulating discourses through think pieces, dissecting films like they are some kind of bacteria.



Chill.


Films are meant to start conversations and inspire, but they are also a medium ultimately aimed to entertain, sometimes without any political, racial or social commentary attached. Life's too short to be upset in plots and plotholes, or the lack thereof. Analysis is always welcome, especially during this awards season, but be glad that in a year where Trump rules in shittiness (thank God I'm not in that country), we can still escape to the world of celluloid to be enlightened.



So I digressed a bit, but the story continues. The ongoing "award shows" and their corresponding winners are enough to excite even the zaniest of cineaste as they scamper to make the final bets. This can go many ways, and it's rather nice to check certain names off the long list when the revelation is being announced. There will be upsets, there will be snubs, there will be dark horses and backlashes aplenty. Chill.


Here are my shots...


Best Actor

Timothée Chalamet – Call Me by Your Name
Daniel Day-Lewis – Phantom Thread
Tom Hanks – The Post
Daniel Kaluuya – Get Out
Gary Oldman - Darkest Hour

Strong contenders:
Denzel Washington – Roman J. Israel, Esq.
James Franco – The Disaster Artist (lower chance after his sexual harassment allegations, but his performance will not go overlooked)


Best Actress
Sally Hawkins – The Shape of Water 
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya 
Saoirse Ronan – Lady Bird
Meryl Streep – The Post

Strong contenders:
Judi Dench – Victoria & Abdul
Emma Stone – Battle of The Sexes


Best Supporting Actor
Willem Dafoe – The Florida Project
Armie Hammer – Call Me by Your Name
Woody Harrelson – Three Billboards Outside Ebbing, Missouri
Richard Jenkins – The Shape of Water
Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Strong contender:
Christopher Plummer – All the Money in the World


Best Supporting Actress
Allison Janney – I, Tonya
Mary J. Blige – Mudbound
Hong Chau – Downsizing
Laurie Metcalf – Lady Bird
Octavia Spencer – The Shape of Water

Strong contender:
Tiffany Haddish – Girls Trip


Best Original Screenplay
Jordan Peele – Get Out
Guillermo del Toro, Vanessa Taylor – The Shape of Water
Greta Gerwig – Lady Bird
Liz Hannah, Josh Singer – The Post
Martin McDonagh – Three Billboards Outside Ebbing, Missouri

Strong contenders:
Sean Baker, Chris Bergoch – The Florida Project
Paul Thomas Anderson – Phantom Thread
Kumail Nanjiani, Emily V. Gordon – The Big Sick


Best Adapted Screenplay
James Ivory – Call Me by Your Name
Scott Neustadter & Michael H. Weber – The Disaster Artist
Aaron Sorkin – Molly’s Game
Virgil Williams and Dee Rees – Mudbound
John Pollono – Stronger

Strong contenders:
James Mangold, Scott Frank, Michael Green – Logan


Best Director
Guillermo del Toro – The Shape of Water
Luca Guadagnino – Call Me by Your Name
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Christopher Nolan – Dunkirk
Steven Spielberg – The Post

Strong contenders:
Ridley Scott – All The Money In The World
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Paul Thomas Anderson – Phantom Thread


Best Picture
Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Strong contenders:
All The Money In The World
Battle of The Sexes
The Florida Project
I, Tonya
Mudbound
Phantom Thread



Counting down...

Sunday, January 7, 2018

Dreamland


The morning smells great. The baby is in dreamland. I’m half-asleep, half-awake, awaiting for some form of breakfast. Let me escape for a moment, collect my thoughts, and take a shot in the dark on the Globes, before tomorrow’s telecast: 


HFPA 75th Golden Globe Awards Predictions:

Best Motion Picture (Drama): “Call Me By Your Name”


Best Motion Picture (Comedy/Musical): “Lady Bird”

Best Director: Guillermo del Toro, “The Shape of Water”

Best Actor (Drama): Gary Oldman, “Darkest Hour”
Best Actor (Comedy/Musical): Daniel Kaluuya, “Get Out”

Best Actress (Drama): Sally Hawkins, “The Shape of Water”
Best Actress (Comedy/Musical): Saoirse Ronan, “Lady Bird”
Best Supporting Actor: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Best Supporting Actress: Hong Chau, “Downsizing
Best Screenplay: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”

Best Original Score: Hans Zimmer, “Dunkirk”

Best Original Song: This Is Me - “The Greatest Showman”
Best Foreign Language Film: “First They Killed My Father”
Best Animated Feature Film: “Coco”


 

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Alternative predictions:

Best Motion Picture (Drama): “The Shape of Water”

Best Motion Picture (Comedy/Musical): “Get Out”

Best Director: Steven Spielberg, “The Post”

Best Actor (Drama): Timothée Chalamet, “Call Me By Your Name”

Best Actor (Comedy/Musical): James Franco, “The Disaster Artist”

Best Actress (Drama): Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Best Actress (Comedy/Musical): Margot Robbie, “I, Tonya”
Best Supporting Actor: Willem Dafoe, “The Florida Project”

Best Supporting Actress: Laurie Metcalf, “Lady Bird
Best Screenplay: Greta Gerwig, “Lady Bird”

Best Original Score: Alexandre Desplat, “The Shape of Water”

Best Original Song: Mighty River - “Mudbound”
Best Foreign Language Film: “The Square”
Best Animated Feature Film: “The Breadwinner”



///


 The Winners (correct alternative guesses in green, incorrect guesses in red):

Best Motion Picture (Drama): “Three Billboards Outside Ebbing, Missouri 
Best Motion Picture (Comedy/Musical): Lady Bird”
  
Best Director: Guillermo del Toro, “The Shape of Water” 
Best Actor (Drama): Gary Oldman, “Darkest Hour”
Best Actor (Comedy/Musical): James Franco, “The Disaster Artist 
Best Actress (Drama): Frances McDormand, “Three Billboards Outside Ebbing, Missouri  
Best Actress (Comedy/Musical): Saoirse Ronan, “Lady Bird” 
Best Supporting Actor: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Best Supporting Actress: Allison Janney, I, Tonya
Best Screenplay: Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”

Best Original Score: Alexander Desplat, “The Shape of Water
Best Original Song: This Is Me - The Greatest Showman”

Best Foreign Language Film: In The Fade
Best Animated Feature Film: “Coco”


Not bad for a prediction, since I've only watched 65% of the nominated films.

Friday, January 5, 2018

Past Midnight





The past is our present's future.


2018 marks the 10th year since I transformed the site as an open canvas for me to pen (or type) my thoughts, a little domain (sometimes dormant) that I can sign in to transpose my muses onto the clouds, expressing them in visuals and words. The past one year has been nothing short of amazing when I looked back beyond the curtains as I gathered the observable moments at the last remaining hours before the fireworks went haywire. There were things that are best kept among the archives, whilst others should be remembered solely as lessons for future events. I widen my gaze about a minute past midnight, and I expect the future me to be a better me, but I'm only human. Resolutions are for master-planners who seek to improve selves, but I'd rather stay open to the prospects of possibilities, now that I've upgraded myself from man-boy to dad-of-all-trades. So this year, no written agendas. No system of reckoning. No schedules in the pipeline. No scores to settle. Just a man, a husband, a father, a son, a designer, and a person... who wishes for all to be good. That, in itself, is a purpose.



And boy, what a great, great year for movies...




Later.